(Image credit: Gucci)

By Ruth Hamilton

Gucci took a big risk with its temporary new look. Did it pay off?

Gucci caused a stir with a new look last week. The temporary new logo and accompanying promotional materials form part of a campaign to launch the fashion house's Fall/Winter 2020 Men’s Collection, and drew attention for its use of a bizarre font that looked just like a child had written it (read our original story on the new Gucci logo here.

A little digging revealed the scrappy-looking branding was designed to evoke children's birthday parties – other promo materials feature the tagline 'Rave like you are five'. The unusual handwriting font was designed to mimic the style typically used by French children. Gucci certainly took a risk by adopting such an unpolished new look – but has it paid off? Now the dust has settled, let's take a look at what the design community thought.

Amidst all the scathing commentary, strong arguments started to arise in favour of the naive new look. Some designers applauded Gucci's confidence in making a statement with the campaign, and argued it ties in well with the collection it's promoting.

"Sure, why not? It feels authentic and it does the one job of all high art/fashion well, which is to elicit an emotional reaction. I can dig it," wrote Valark on Under Consideration.

On the same site, JustJoeDesign drew attention to the unusual aesthetic choice: "In a day and age where penmanship is becoming a lost skill I think this is a great move for a campaign to stand out." The comment sparked a discussion about whether it would have been better to use traditionally 'good' calligraphy, which was rebuffed Corey Ken, commenting: "But then it would be just another ad with nice execution. This is conceptual."

Another strong argument in favour of the Gucci's design choice is that it offers a refreshing break from the current wave of bland rebrands.

"It’s unashamedly odd, and apparently blithely unaware of the accepted wisdom that a logo is a brand’s sacred symbol. And isn’t that what we want from the fashion industry? It’s meant to be weird and unexpected and rebellious," wrote Emma Tucker for Creative Review. Others agreed with her: